ANTIPHON I - (2019)
For pipe organ, high frequency organ pipes and a voice in motion
A dialogue between the various instruments, voice and the church’s acoustic resonance. Exploring frequency superposition through beating patterns, difference tones, standing waves and otoacoustic emissions
Composed site specifically at Paroisse de Villamont, Lausanne, Switzerland. Commissioned by Les Urbaines.
Documentation by Cynthia Ammann
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